Skeivetestamentet / The Queer Testament /
Skeivetestamentet / The Queer Testament /
The Stained Glass Window
The Closet
The Church Pew
This room holds a testament; a testament of loving someone you’re not supposed to, of living in a body that is not your
own, of trying to change everything you are, just to be less than whole.
This is The Queer Testament, a room of deep emotion, of inescapable closets, of delicate church pews, and stained glass windows
—full of hope.
The Queer Testament is a take on furniture design where feelings are deeply embedded into every piece. Evoking emotion and curiosity; the installations are meant to inspire reflection and to shed light on what has grown comfortable in the dark.
Dur / Major /
Dur / Major /
DUR (MAJOR) is the prduct of my bachelors project and is a stackable system of musical boxes.
I was working with a talented music group at home in which everyone had some sort of mental disability and I wanted to make music more accessible to them. The system can be rolled around and transported easily and is based on intuitive instruments that make for a versatile soundscape.
DUR consists of a Cajon (percussion box), a tongue drum, a storage box, and a tray with an accessible circular maraca, rainstick and tamburines.
DUR is the joy in music.
DURHUSET (THE MAJOR HOUSE) is the second part of my bachelors project. Here I focused on giving back to the community of people with disabilites in my home town through architecture.
The building facilitates for the music group to rehearse and perform and the design is based on our natural movents of rythm, therefore parts of the floor and walls have built-in drum snares (like a Cajon).
DURHUSET encourages musical freedom but also makes it clear that the users are the instruments, so the building acts as a loudspeaker for them to be heard.
Skeive sjøfolk / Queer At Sea /
Skeive sjøfolk / Queer At Sea /
Skeive Sjøfolk (Queer at sea) was an exhibition I got to do with Bergen Maritime Museum.
In a big team of researchers, builders and a project leader, Hannah Sorrel was the graphic designer and Anne Mette Prestegård and I were the exhibition designers.
This exhibition did not exhibit many artefacts, but rather told stories about how it was like being queer in the masculine environment of different kinds of ships during the 1950s to the early 1970s. We got to work alot with spatial design, colours and atmosphere to convey the feelings we wanted the audience to feel.
The machine room represents the masculine environment, the broken mirror ocean with broken quotes represents the resistance on board, and the whole mirror ocean represents the opportunities.
These were some of the installations I got to design.
Get in touch.
Maybe you have a custom project you´d like me to take a look at, or maybe you just have a question for me? Either way, I´m just an email away! But you can also reach out to me on my social media! Don´t be a shy.